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Come
As You Were.
The Story of Fresh Aria, The Campaign for Tomorrow’s Portland
Opera.
Who were you before?
What you are about to read isn’t about us.
It isn’t even really about opera.
The story of Fresh Aria is about you, about change, about music
and themes that are larger than life.
And the story of Fresh Aria is about a local fifth-grader who sits
spellbound during a production of Cinderella.
About an eastern Oregon teenager who thinks twice, even three times,
about smoking after seeing The Night Harry Stopped Smoking.
About the moment a promising young singer from Ashland signs her
contract as a resident artist with Portland Opera Works.
About the talk on the bus back to the coast after a high school
teacher brings her students to a Portland Opera dress rehearsal.
The story of Fresh Aria begins today, moves eventfully into the
future and, in truth, does not end. It revolves around one of America’s
most respected opera and musical theater companies; it carries the
standard plot elements of need and opportunity. There are many surprises.
You are the central character, and the turning point is the moment
you decide to join so many others in supporting something unique,
something valuable, something almost indefinable. It doesn’t
matter whether you relish opera and musical theater, ignore it,
live for it or couldn’t care less. The story remains the same.
Join us for the telling. Come as you were.
Who are you now?
CHAPTER ONE
In
which a fledgling opera company goes on to great things.
It was not, if memory serves, a dark and stormy night. It was an
evening in 1964 when the first performance rang out—Portland
Opera had just been incorporated to bring this unique and lasting
art form to our community.
People have been setting stories to music from the earliest reaches
of human history. Opera takes that storytelling to another level,
one that is larger than life. Since that first season, Portland
Opera has created operatic entertainment of the very highest quality.
Quality so high that the company is now ranked among the best of
America’s more than 100 opera companies, and reviewed in opera
publications around the world. The New York Times lauded the company
for its willingness to “tackle adventurous repertory.”
Portland Opera has always been an innovator: one of the first two
companies in the United States to open opera to new audiences with
the use of supertitles. The first opera company in the world to
present a subscription series of national touring Broadway musicals.
This link between popular and classical art forms has done wonders
to reach audiences and help them realize that opera and musical
theater are the closest of relatives.
Thirty-five years, hundreds of performances, thousands of moments
to remember and cherish. Artistic successes that have transformed
our community. All from a simple desire: to share the power of music
through performances and programs that are of the very highest quality.
Today, Portland Opera is a part of the fabric of our community,
from the millions of dollars that are added to the local economy,
to the partnerships that bolster and offer opportunity to other
important causes and organizations. And today, our ability to continue
all of this achievement is in question. We are a victim of our own
success…
CHAPTER TWO
In which the company embraces the community, and vice versa.
From the very beginning, Portland Opera has been as committed to
talking with the people of our community as singing to us. That
commitment has resulted in education and outreach programs that
now touch 70,000 Oregon students, teachers, parents and others each
year. Combined with enthusiastically received mainstage productions,
Portland Opera reaches more than 300,000 Oregonians annually, entertaining
us, inspiring us, changing us. Let us count (a few of) the ways:
Extraordinary mainstage productions. Five stunning, innovative opera
presentations. Eight standing-room-only Best of Broadway presentations.
Portland Opera Works. Up-and-coming singers, tomorrow’s great
voices, become resident artists, performing in mainstage productions
and creating the core of our education and outreach touring productions.
All receive invaluable training, experience and insight.
The Night Harry Stopped Smoking. An imaginative fusion of music
and arts education in schools and community centers throughout Oregon
and southwest Washington. In cooperation with the American Cancer
Society, this program educates its audiences about the dangers of
smoking.
Cinderella. A traditional opera production designed for elementary
school kids, full of humor and enchanting music—with some
cleverly hidden messages about treating others with kindness and
compassion.
Benefit concerts. While they are on the road, Portland Opera Education
and Outreach Program performers also give their time to help deserving
local non-profit organizations. Recent benefit concerts raised $5,000
for Arts Alive in Roseburg (to buy musical instruments for students
who can’t afford them) and $2,500 for Shelter From the Storm,
a women's shelter in La Grande. Other concerts benefited Rogue Opera
and the Museum at Warm Springs.
Opera interns. Portland State University professors identify young
PSU singers with notable musical and career potential to receive
the benefits of Portland Opera’s experience and resources.
Their training is powered by weekly conferences, special classes
and access to all rehearsals.
Preview presentations. Portland Opera shares the magic with more
than 1,000 low-income teens in middle and high schools, and in social
service agencies, corporate headquarters and community centers.
The opportunity helps educators understand how opera can be a valuable
tool in improving students’ literacy and widening their horizons.
Student dress rehearsals. Before each production, dress rehearsals
are opened to an invited audience of students, teachers and senior
citizens. Some 10,000 people each year share an opportunity to experience
the power of opera at much-reduced prices. Tickets for under-served
communities are often underwritten by generous sponsors.
Opera Insights. This informative and lively program offers a rare
opportunity for discussions with the artists, conductors, directors,
critics and writers before each performance.
Teacher guidebooks and student activity sheets. For each opera,
guidebooks and activity pages are created, helping educators use
each production to prepare students to meet CIM standards.
All these many efforts are woven into the whole of Portland Opera,
and into the story of Fresh Aria.
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CHAPTER
THREE
In
which a critical need hides in the glow of success.
True enough, most opera companies in the country would give their
collective eyeteeth plus their finest soprano to be in our position.
Portland Opera has a strong subscription base and a steadily growing
local and national audience. We have one of the highest earned-to-unearned
income ratios of any company in America, along with a wide range
of strategic partners, an exceptionally strong Board and staff,
the respect and support of business, political and community leaders,
and a balanced budget.
All of this achievement is founded in Portland Opera’s core
values of artistic integrity and excellence, creativity and innovation,
communication and collaboration. This remarkable opera company has
done something rare in this country: survive and grow mainly on
ticket sales. But the dark side of this is that the base of contributed
and endowed support is unusually low. It’s great news that
the community recognizes and enjoys our productions—but it’s
bad news that Portland Opera is made vulnerable by a lopsided ratio
of earned income to contributed and endowed income. The time has
come to remedy that—for Portland Opera to survive and thrive
in this era of home entertainment centers and the web and instant
access to worldwide events, we must make lasting connections with
people and transform ourselves into a self-sustaining cultural power
in our community.
Simply put, greater artistic innovation, more educational outreach
and increased ability to serve all of the community are at risk
without increased philanthropic support.
CHAPTER FOUR
In which the opera and its volunteers put forth a bold solution.
And so we come to the heart of our tale: Fresh Aria, the campaign
for tomorrow’s Portland Opera. This groundbreaking five-year
plan has as its goal nothing less than the transformation of your
Portland Opera into a fully self-sustaining arts organization—perhaps
the very first of its kind in the nation. Countless hours of planning
and effort on the part of Opera staff, national arts leaders and
our much-appreciated board volunteers have resulted in a new direction,
a new vision that will protect both our artistic and educational
missions and ensure the future of innovative, exceptional opera
and musical theater in our community.
Over the next few years we will build on the wonderful early commitment
of several generous lead donors. We will raise some $17 million
by 2004. We will create a healthy balance between earned and contributed
income. We will eliminate accumulated deficit. We will take the
vital next steps in the evolution of Portland Opera.
Of the $17 million we will raise, $10 million will be earmarked
for endowment, the foundation from which we launch our future. A
strong endowment means both power to offer programs of the highest
quality and freedom to experiment and to innovate.
The other $7 million will go to the Sustainable Opera Initiative,
designed to end our over-reliance on the box office. The initiative
will build a steady funding stream, eliminate debt, secure support
for capital expenditures and enhance operations.
Easy words to write—much harder to make them real. The success
of Fresh Aria will take so many things: hundreds of people, thousands
of hours, heartfelt commitment and inspiring generosity—and
yet, Fresh Aria turns upon just one quiet decision to help.
Yours.
CHAPTER
FIVE
In
which you become the author of the story.
This where the brochure ends and the story begins. Why have so many
of us committed ourselves to Fresh Aria, to the sustainable opera
initiative, to the future of opera and musical theater in our community?
Because the need is great and the time is right.
But we can’t do it without you. We need you to stand with
us as a partner and a financial contributor. We need you to journey
with us into a new era in opera—connected with new audiences,
new art forms, new technology. With your help, Fresh Aria is the
sound of the future.
As you can guess, Portland Opera has several ways of permanently
and prominently recognizing your generosity at many levels, beginning
with gifts of $10,000. As examples: A named endowment gift of $2
million to the Artistic Initiative Fund, to be used at the recommendation
of Executive Director Robert Bailey, will generate up to $100,000
annually to support new works, innovative productions of traditional
works and productions of important, lesser-known works. A named
endowment gift of $1 million will generate up to $50,000 annually
for the support of the artists of the Portland Opera. A named endowment
gift of $1 million will generate up to $50,000 annually for the
support of the education and outreach activities of the company.
Gifts of $5,000 to $50,000 may be added to the power of our pooled
fund. Sponsorships and co-sponsorships are available for productions,
special events, single performances and more. The named giving opportunities
are too numerous to detail in this brochure—we ask that you
discuss your interests and objectives with our development staff.
And, with that, you have become the author of our story. And its
hero. What will the future hold for Fresh Aria and Portland Opera?
Will opera and musical theater continue to have a powerful presence
in our community? Will great performances continue to thrill growing
audiences? Will the fifth-grader and the young singer and the high
school teacher still have their moments of discovery and joy?
You tell us.
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